Who we are
At WolfDen Films, we exist to tell stories others won’t touch. We are the most unapologetically unwoke movie studio in history—committed to fearless storytelling, creative freedom, and cinematic truth unfiltered by trends or ideology.
We champion bold voices, classic values and the raw power of human experience. No virtue signals. No censorship. Just unforgettable films that entertain, provoke and endure.
Nick Clement
Chief Creative Officer, WolfDen Films
With producing credits including Out of Exile (2022), Alien Intervention (2023), Reverence (2025), Anywhere (2026), The Huntsman (2026), Rated (2026), and Pale Night (2026), Clement has built a reputation for backing bold, character-driven films that refuse to play it safe
He is currently shepherding the development of Don’t Hang Up, a feature biopic exploring the life of Jerky Boys creator Johnny Brennan, from screenwriter Billy Narducci, alongside Marc Provissiero and Danielle Schoenberg of Odenkirk Provissiero Entertainment.
Clement began his career working under two titans of modern cinema — Jerry Bruckheimer and Tony Scott — where he absorbed both the scale of studio filmmaking and the discipline required to command an audience. From there, he carved his own path: writing for Variety and Arrow Films, penning the introduction to Double Features: Big Ideas in Film, and spending over 15 years as a sought-after screenplay consultant helping writers sharpen stories that cut deeper and hit harder.
A lifelong student of the medium, Clement’s cinematic DNA spans from the wonder of Baby: Secret of the Lost Legend to the grit of Goodfellas, the audacity of Pulp Fiction, the precision of Heat, the awe of Close Encounters of the Third Kind, and the tension of Uncut Gems and The Bear.
That range defines his producing philosophy: entertain relentlessly, provoke honestly, and never insult the intelligence of the audience.
At WolfDen Films, Clement is helping build a studio rooted in creative freedom, fearless storytelling, and a refusal to bend to trend cycles or cultural gatekeeping.
No formulas.
No virtue signaling.
No apologies.
Just cinema with teeth.
Jeremy Cohen
Chief Financial Oracle, Keeper of the Vault, CFO of WolfDen Films
Jeremy Cohen isn’t just the CFO of WolfDen Films — he’s the reason the lights stay on, the checks clear, and the explosions are both cinematically massive and tax-efficient.
Legend has it Jeremy was born holding a calculator in one hand and a VHS copy of Wall Street in the other. By age six, he had already restructured his lemonade stand into a vertically integrated beverage conglomerate with tiered pricing and a back-end profit participation model.
By twelve, he allegedly negotiated a better allowance deal than most indie films secure in foreign pre-sales.
Long before streaming conquered the earth, Jeremy was (rumor has it) the shadow architect behind the late-fee revenue model at Blockbuster LLC. While other kids were renting movies, Jeremy was allegedly reverse-engineering the profit margins of VHS rewinds. Some say he personally tested the elasticity of demand on Friday-night rentals of The Shawshank Redemption and created a predictive cash-flow model based entirely on copies of Jurassic Park being returned two days late.
There are unconfirmed reports that he once proposed a “Premium Rewind Acceleration Fee.” It didn’t make it past legal — but Wall Street was intrigued.
When Netflix started mailing DVDs, Jeremy allegedly drafted a 47-page memo titled: “Physical Media Forever: A Love Letter to VHS Inventory Management.” We assume it has aged well.
He claims to have invented “Cinematic Compound Interest™,” a proprietary formula where great scripts appreciate faster than beachfront property.
Crew members say he doesn’t sleep — he simply enters “low-volatility mode.”
He can quote EBITDA margins from memory.
He once corrected a waterfall schedule during turbulence at 35,000 feet.
He allegedly rewrote the ending of The Big Short because “the third act needed cleaner numbers.”
When asked what he does for fun, Jeremy says: “Depreciation schedules. And occasionally movies.”
Under his watch, WolfDen doesn’t just make films. It creates fiscally responsible legends.
Legal & Reality Disclaimer
The above bio contains wildly exaggerated, financially theatrical, and completely fabricated statements for entertainment purposes only. Jeremy Cohen did not architect Blockbuster’s late-fee strategy, invent cinematic compound interest, refinance a short film into a theme park ride, or rewrite The Big Short (probably). Any resemblance to actual corporate history, VHS revenue modeling, or box office astrology is purely coincidental.
He is, however, a very real CFO. And he does, in fact, make sure the numbers work.
Jay Wolfberg
Chief Executive Officer, WolfDen Films
Jay Wolfberg is the CEO of WolfDen Films — a studio built on bold stories, sharp edges, and the belief that safe movies are usually boring movies.
Part ringmaster, part realist, part slightly sleep-deprived optimist, Jay spends his days developing films that punch above their budget and linger longer than they’re supposed to. He has a talent for spotting stories that feel just risky enough to matter — the kind that make executives nervous and audiences lean forward.
Jay believes independent film should feel independent. That means:
Creative conviction over committee notes
Story over algorithm
Grit over gloss (unless gloss is funny)
Under his leadership, WolfDen Films has positioned itself as a filmmaker-first company — fast, decisive, and allergic to mediocrity. Jay is known for moving projects from idea to greenlight with uncommon speed, often fueled by caffeine, stubbornness, and an unshakable belief that great storytelling still wins.
Colleagues describe him as:
“Strategic but unpredictable (in a good way).”
“Able to talk business and character arcs in the same sentence.”
“The only guy who can compare a P&A budget to a third-act twist and somehow make it make sense.”
When he’s not developing features, Jay is likely:
Breaking down scripts at midnight
Debating theatrical windows
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